I had this image but was not sure what it meant, if anything. So when my friend the artist Michael Lindas said it was "quite dismal" on Facebook, I replied, half jokingly, "Yes, but I'm counting on you to tell me what it means." "Now I interpret your dreams?" he rplied. "Okay ... I'll give it a shot." I was so impressed with his shot that couldn't resist illustrating it. I've never met Michael personally, so this is coming straight from his experience with my paintings, not with me.

MICHAEL GIVES IT A SHOT


#1438, 2018, oil on canvas, 18 x 24 inches


If I look at it as a personal Criswell message..... TO ME it looks as if your standard classic 'go to' image of 'curved road going around tree grouping with bridge' is being caught up in that Golden Spiral heading toward the drain. Like a black hole in space that pulls in everything, even the light.


The dead flying insect..... [and] your classic crow.... also being pulled toward the drain. If I had to interpret this dream image from your muse, I would say she is telling you to trust her to pull you into a new direction, a new plateau.

I remember you used to do very realistic pastoral landscapes ...


The Arkansas Red Wolf, 1981, acrylic wash on paper, 17 x 24 inches, private collection

Narrows Road Morning Poem, 1981, acrylic wash on paper, 17 x 24 inches, private collection

 

... until a tornado shook up your world. And you moved on to other 'swirling things' ... from the homeless swirling around a 55 gallon alley fire, to strippers spinning around poles ...


Dangerous Sunset, 1983, watercolor,
11 x 14 inches 

 

 
Moths, 1988, oil on paper, 48x 36 inches, private collection

 



Rita, 1989, watercolor & pastel on paper,
8 x 10 inches, collection Capital Art Center, Taipai, China



... to the spinning images of you interpreting yourself ...


 
The Storm, 1992, oil on linen, 48 x 36 inches, collection Morris Museum, Augusta, GA

... to finally the curving road with circling crow above......



Vapor Trails (The Hurdy Gurdy Man), 2015, oil on canvas, 30 x 40 inches 
 
As the Crow Flies, 2014, oil on canvas, 40 x 30 inches

 


Smoke, 2016, oil on canvas,
18 x 24 inches

 


Arc, 2014, oil on canvas,
16 x 20 inche
s


Overpass, 2018, oil on canvas, 40 x 30 inche
s

 

 
Sailor's Delight, 2017, oil on panel, 13 x 18 inches

And we still see that tornado-like spirialing effect, in your work today.


Eat Now (Again), 2018, oil on canvas,
40 x 30 inches

Fly Me to the Moon, 2018, oil & collage on canvas, 40 x 30 inches

Your muse may be saying that its time for a 'new mask' to appear, a new addition to Personae....


Personae, 1991, 5 masks, acrylic on papier-machet, life-size: Crow, Acteon the Hunter, Acteon the Prey, Anubis & The Unnameable, private collection

If I look at it as a public Criswell message....

Our world is going down the drain. The world we have grown accustomed to is being pulled away from us. All that was important to us has turned into dead blood sucking parasites. That's the dismal part. LOL

Lately with your work, I focus more on the spirals and arcs than I do the interpretation of the subject matter. Love the way the road, the shine of the sink basin, the top of the tree line, and even the water droplets curve into that opening. Very sensual to me.... I'm a big Georgia OKeeffe fan, so seeing 'inappropriate objects' floating in the sky is right up my alley.

 Thus spake Michael Lindas

It was amazing to me that Michael was that familiar with my work, all the way back to pre-tornado days, and it had not occurred to me that my obsession with curves in my compostions may have originated with that tornado that destroyed our home in 1982. He may be right that I need a new mask, but I don't know about the plateau. When we think we've gotten there, it's all over. The plateau is the pit. We have to keep climbing out. Somehow.

Warren 7/8/18

 



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